Margaret Montagna
Sound Design
The Pirandello Project
Devised by the ensemble
Directed by Alice Reagan
Sound Design by Margaret Montagna
Scenic Design by Anna Driftmier
Costume Design by Karen Boyer
Lighting Design by Burke Brown
Choreography by Sunny Min-Sook Hitt
Photography by Hunter Canning
Photography by Hunter Canning
Photography by Hunter Canning
Photography by Hunter Canning
In this devised play, we had a movement piece affectionately known as "the plant dance." It was accompanied by a slowed-down Italian Futurist song, and was stopped abruptly by the sound of an intonarumori.
I Wanna F*ck like Romeo and Juliet
Written by Andrew Rincon
Directed by Jesse Jou
Sound Design by Margaret Montagna
Scenic Design by Brittany Vasta
Costume Design by Antonio Consuegra
Lighting Design by Annie Wiegand
Photography by Hunter Canning
Photography by Hunter Canning
Photography by Hunter Canning
Photography by Hunter Canning
Cupid takes Alejandro on a journey of self discovery in an underwater world within himself. Betti joins later on, using her new wings to help her get there.
Holy Ghosts
Written by Romulus Linney
Directed by Judson Jones
Sound Design by Margaret Montagna
Scenic Design by Steven Brenman
Costume Design by Sherry Martinez
Lighting Design by Zach Murphy
Photography by James M. Wilson
Photography by James M. Wilson
Photography by James M. Wilson
Photography by James M. Wilson
The church goers begin to worship by taking out snakes. As they are dancing around with the serpents, the "Holy Ghost" enters the space. They begin to slow down, and then freeze, in awe and reverence.
The Color Of Desire
Written by Nilo Cruz
Directed by Luis Morales
Sound Design by Margaret Montagna
Scenic Design by Anthony Freitas
Costume Design by Sherry Martinez
Lighting Design by Yi-Chung Chen
Photography by Kenneth Shook
Photography by Kenneth Shook
Photography by Kenneth Shook
Photography by Kenneth Shook
Preston wishes to have an affair with Belen, but only if she agrees to pretends to be his former lover. Belen agrees, goes to his home, and seduces Preston.
Eurydice
Written by Sarah Ruhl
Directed by Julie Fain Lawrence
Sound Design by Margaret Montagna
Lighting Design by Jordan Bliese
Eurydice falls down the stairs of the Nasty Man's apartment building, dies, and enters the Underworld.
Eurydice and her father walk around the string room to say goodbye to each other. After Eurydice's father exits, Orpehus comes in and Eurydice follows him around the string room. Eurydice catches up with Orpheus, calls out his name, and turns around. They reach for each other's hands, pull apart, and say goodbye to each other for the last time.
Look Back in Anger
Written by John Osborne
Directed by Dr. Ruis Woertendyke
Sound Design by Margaret Montagna
Scenic Design by Yamila Chiappe
Costume Design by Sammy Mainzer
Lighting Design by David Shocket
Alison and Helena are talking about their lives while preparing lunch. Jimmy is out in the hallway playing his trumpet. Helena complains about it loudly, and Jimmy responds by blasting a few notes. The trumpet was recorded in the theatre to make it sound more natural, and played back through an off-stage speaker facing away from the stage to distance it.
MiddleTown
Written by Will Eno
Directed by Daniel Winerman
Sound Design by Margaret Montagna
Scenic Design by Shane Lowry
Costume Design by Stephanie Levin
Lighting Design by David Shocket
In this scene, we meet Middletown's resident astronaut, who is currently in outer space. During the transition into outpace we hear the sounds of a wind tunnel, accompanied with the recordings of the electromagnetic waves of the planets. This abruptly stops, and we hear the beeps of the astronaut's space ship, as well as the sounds of space.